The Sleeping Partner

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  Contents

  Winston Graham

  Dedication

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter Twenty-Two

  Chapter Twenty-Three

  Chapter Twenty-Four

  Chapter Twenty-Five

  Chapter Twenty-Six

  Winston Graham

  The Sleeping Partner

  Winston Mawdsley Graham OBE was an English novelist, best known for the series of historical novels about the Poldarks. Graham was born in Manchester in 1908, but moved to Perranporth, Cornwall when he was seventeen. His first novel, The House with the Stained Glass Windows was published in 1933. His first ‘Poldark’ novel, Ross Poldark, was published in 1945, and was followed by eleven further titles, the last of which, Bella Poldark, came out in 2002. The novels were set in Cornwall, especially in and around Perranporth, where Graham spent much of his life, and were made into a BBC television series in the 1970s. It was so successful that vicars moved or cancelled church services rather than try to hold them when Poldark was showing.

  Aside from the Poldark series, Graham’s most successful work was Marnie, a thriller which was filmed by Alfred Hitchcock in 1964. Hitchcock had originally hoped that Grace Kelly would return to films to play the lead and she had agreed in principle, but the plan failed when the principality of Monaco realised that the heroine was a thief and sexually repressed. The leads were eventually taken by Tippi Hedren and Sean Connery. Five of Graham’s other books were filmed, including The Walking Stick, Night Without Stars and Take My Life. Graham wrote a history of the Spanish Armadas and an historical novel, The Grove of Eagles, based in that period. He was also an accomplished writer of suspense novels. His autobiography, Memoirs of a Private Man, was published by Macmillan in 2003. He had completed work on it just weeks before he died. Graham was a Fellow of the Royal Society of Literature, and in 1983 was honoured with the OBE.

  Dedication

  For Tony and Tony

  Chapter One

  The night Lynn left me I got home quite late, but, it being July, there was still daylight left; and I remember as I came up the drive thinking that since we moved here I’d had no time at all to do any of the things I’d planned when we bought the place, such as rooting up all the laurels and putting in some decent flowering shrubs instead.

  The garage doors were open and I tapped my horn as I drove in. I knew I wouldn’t be popular, but I ran up the steps and pushed open the front door and walked in with my usual whistle. I hoped at least that she hadn’t waited for her own meal. It was semi-dark in the house and no lights. She didn’t answer and I thought she hadn’t heard, so I whistled again and went into the drawing-room, the room she’d had decorated according to her own design. There was no one there, but at the back now I could hear Kent barking a welcome.

  I wished Lynn hadn’t taken against Kent so much; he was a bull-terrier we’d more or less inherited from my sister when she went abroad. I went through into the kitchen switching on the lights and found the electric oven cold and no evidence of dinner. The picture then began to come in quite clearly that my wife was not here.

  With so much on hand I might have forgotten something, and as I went upstairs I tried to remember whether she’d said anything before I left. I went into our bedroom with its eggshell-blue wallpaper and off-white hangings, through to the spare room done rather less sumptuously and to the second and third spare rooms, not yet done at all, and back to our wildly extravagant bathroom with its crimson ceiling and blueberry walls. Then I went downstairs again and let Kent out, and he licked me madly all over. That of course was what Lynn didn’t like about him; he was a delayed adolescent and at five years of age still flung himself about in ecstasies of juvenile enthusiasm.

  It seemed likely she’d gone out somewhere and been delayed – perhaps she had phoned the works after I left and home before I got here. She hadn’t gone by car because the little MG was in the garage.

  The right thing now was to get my own meal and have enough ready for her if by any chance she needed something when she came in. I turned to in the kitchen, assisted by Kent who slid between my legs every time I walked across the place. In the end I fired him out and got on much better.

  Because I didn’t know if she’d be back I went to a lot more trouble than I might have done – not just a boiled egg on a napkin-cloth spread on a corner of the kitchen table. I even got up a bottle of wine from the cellar and did the thing in style. After supper I had a cigarette and switched on the television but it was pretty grim; then I looked at my watch and saw it was ten-thirty.

  I rang up her mother. It was a doubtful shot as they didn’t get on particularly well, but I had to start somewhere. Mrs Carson said in an aggrieved voice that she hadn’t seen or even had a call from Lynn for over five weeks. I tried Simon Heppelwhite next and found him at home.

  He said, lisping, slightly pontifical: ‘Lynn? No, Michael. Not since – well it must be only twice since the night at Quaglino’s. Is anything wrong?’

  ‘No, of course not. I was expecting her back and wondered if she might have taken root at your studio.’

  ‘I only wish she came more often, these days. But she seems to have matters of more importance on her mind.’

  ‘What sort of matters?’

  ‘I hadn’t paused to consider. I imagined it was looking after you.’

  Because I knew him so well I thought I noticed something in his voice and persisted. ‘Seriously, Simon. I can’t see your face, but if Lynn’s sitting there with you now …’

  ‘No, Michael; seriously, Lynn isn’t here and hasn’t been. I’d help you if I could.’

  After a minute or so I hung up, feeling rather a fool. I decided not to try anyone else or I should look still more of an idiot bleating because his ewe lamb was out of his sight. I waited till eleven and then thought of our daily woman, Mrs Lloyd, in the village. But now it was too late.

  It occurred to me that Lynn really had only a few close friends. There was a girl called Hazel Boylon who had worked at the same time for Simon Heppelwhite; they had kept up with each other when they both left; but I didn’t know her telephone number or even her address.

  The phone went. I was across the room very quickly and took up the receiver. ‘Hullo!’

  ‘Is that Mr Granville?’ A man’s voice.

  ‘Yes?’

  ‘Oh, Mike. This is Frank.’

  ‘Who?’

  ‘Frank Dawson of course.’

  From the factory. Fire, burglary, accident. ‘ What is it?’

  ‘Not in bed, are you?’

  ‘No, of course not.’ />
  ‘Sorry to be a bore. I was going to leave it till the morning but—’

  ‘What?’

  ‘I say I was going to leave it till the morning, but I wanted a private word about Read, and in the mornings he’s usually hanging around … Is Lynn with you?’

  ‘Lynn? No. Not at the moment.’

  ‘I want to have a serious chat with you about Read sometime. It looks to me that he hasn’t learned a thing from the mess up we had in February. If he’s going to go on shoving people round into different jobs all the time he’ll muck up delivery dates again. You remember yesterday afternoon—’

  ‘Look,’ I said; ‘I’m sorry, Frank, this’ll have to wait until morning.’

  There was an offended pause at the other end. ‘I’m sorry, if I’ve barged in on something—’

  ‘It’s not that, but—’ I tried to swallow back my impatience. ‘I have got something on just at the moment, and anyway it’s a bit late to begin on family politics isn’t it. How about facing it over a spot of lunch tomorrow?’

  ‘Sorry, I’m booked for lunch.’ I knew he wasn’t.

  ‘Then see me as soon as I’ve settled in. About ten. Remind me when I get in, will you?’

  I hung up sharply. If he was upset, what the hell. I thought I would make one more call. I rang Ray French.

  Ray answered it himself. I could hear a piano going in the background.

  ‘This is Mike Granville,’ I said. ‘ I suppose you haven’t seen anything of Lynn today, have you?’

  ‘Wait a jiffy.’ There was a pause. The piano stopped in mid-phrase. ‘Shades of Carl Philip Emmanuel. What did you say?’

  ‘I wondered if you’d seen Lynn today.’

  ‘I haven’t seen her. I rang her about six this evening but alas, no reply. What’s the matter, have you lost her?’

  ‘Temporarily. She’s probably out somewhere and forgotten the time. I thought I’d check just in case you were the culprit.’

  ‘No, old boy. What hour is it? Yes, it’s late for a little girl to be out. Sure your phone can receive calls?’

  ‘Yes, I’ve just had one. Never mind, I expect she’ll turn up any minute now. Thanks.’

  ‘You’re welcome. Oh, I say …’ as I was about to ring off.

  ‘Yes?’

  ‘Lynn did say when she telephoned me on Monday something about being away this weekend. I said I might drop in on Saturday with some brand-new records she’d ordered and she said she might be away then. But of course you’ll know about that.’

  I said, to give myself time to think: ‘Well, it’s only Thursday night yet, isn’t it?’

  ‘Of course. Anyway when she does turn up ask her to ring me in the morning, will you.’

  ‘I will. Goodbye.’

  ‘Goodbye.’

  When someone isn’t home when you expect them to be, when after a decent interval they still don’t turn up and send no message and have left no note, it’s natural to get a bit anxious. But there’s still a lack of decisive event. There’s no warning blip on a radar screen. There’s no exact moment before which it was silly to ring the police or the nearest hospital and after which it’s silly not to. Your ears are all the time waiting for the click of the door, the quick familiar footstep and the breathless glove-peeling apology.

  Especially so in Lynn’s case because she always had been a thought bohemian in her habits. Once when we were engaged she’d completely forgotten to meet me, and after waiting an hour I’d gone to her flat and found her curled in front of the fire, with her skirts above her knees, making toast. She was the sort of person who in spite of being very much on the mark in most ways usually missed trains or got there to catch the one that ran on Saturdays only.

  So I didn’t do anything more to find her all night. I got undressed and sat in bed smoking. There was a phone extension by the bed.

  I don’t know what time I went to sleep but I woke up in the dark and couldn’t think what was the matter. Then I remembered and sat up and switched on the light, but the other bed was still empty. It was twenty past three and I kept the light on because by then I was wide awake and really worried.

  I couldn’t make out why Lynn had told Ray French she might be away this weekend; so far as I knew we’d planned nothing.

  For some reason I began to think of that evening in February when Ray had first called on us here. It was the week I had had the row with Harwell over delay in completing contracts, and I remember driving up to the house in a fairly preoccupied frame of mind. As my tyres made a slithery sound on the gravel Lynn came out to meet me. She was wearing a new green frock with a close-fitting skirt that made you think of the silky sheaths of tulips.

  ‘Darling, has Ray left his car in a silly place? It’s not worth moving it now because he’s going in a minute.’

  She kissed me and her brown eyes went over me in the observing way they had. Ray had just got up from the piano and was picking up his cheroot from the ashtray. He was thirty-five, well turned out, with a sleek handsome face that always looked to me a trifle unused, unlived-in – it was sophisticated, but un-modern in shape and bone structure; at odds with itself, and conscious of the paradox.

  ‘Hello, Mike. I’ve come to see your mansion at last. It’s very grand but I miss the liveried footmen.’

  I’d said: ‘All we can offer you is a liverish char and she goes home at two-thirty. Lynn, have we enough dinner for three?’

  ‘There are a few cinders in the oven, but he says he won’t stay. Self-preservation, no doubt.’

  ‘Not won’t, can’t.’ He ran a hand carefully over his smooth fair hair. ‘ I’m sorry, darling, and I’m sure your meal will be bliss. But ask me another time, please. How’s the new factory?’

  ‘Very new.’ I took the drink Lynn offered me, and smiled at her.

  ‘And hush-hush?’

  ‘Less so than the old to look at. This is all concrete floors and metal windows and strip lighting. I rather miss the cobwebby stairs.’

  ‘How many people have you got there now?’

  ‘About eighty at present. There’s room for a hundred and fifty if we could find them.’ And employ them? I suddenly thought.

  He whistled on three notes. ‘Big business. And can’t you find them?’

  ‘Not yet. Letherton’s a way out. Also there’s a general shortage. Electricians don’t grow in a day.’

  ‘D’you go down and ravish them with your presence, Lynn?’

  ‘I used to while it was being built, but not much now.’

  I glanced at her quickly, and then spoke to Ray. ‘This year it’s been taking too much of my time. But I’ve no intention of letting it get permanently in the way of a happy married life.’

  Ray looked at Lynn and laughed his infectious over-spilling laugh. ‘No, I wouldn’t either, if I were you.’

  When he’d gone there wasn’t much conversation for a bit. Then I said: ‘I wish you could get more company of his sort. It’s what you need here.’

  Her hair looked like pale floss silk as she put the gramophone records away. ‘He won’t come often. It’s too far out.’

  I said: ‘I wonder why he hasn’t made the grade as a pianist. He seems first rate to me. It must be galling to have to take a job with a music publisher when you know you’re that good.’

  ‘He was five years in the war,’ she said. ‘That didn’t help.’

  ‘To me he always looks less like a musician than any musician decently should.’

  ‘That’s your old-fashioned notions, Mike.’

  I said: ‘In one way I envy him. He’s artistic, in the centre of things, able to gossip about matters that interest you … By the way, it’s still true what I said tonight.’

  ‘What’s true?’

  ‘That I’m not going to let things run on as they are.

  But you’ve got to be patient for a bit longer, darling, perhaps longer than I thought a month or so ago. Don’t imagine I love work all that much. I like enjoying myself. And I like enjoying myself
with you. It’s only a question of time.’

  That evening was the nearest I got to telling her about this particular crisis with Harwell that had arisen in our affairs. I thought to save her worry, but after that I found each day’s silence led to the next. Technically she was a partner in the firm with a small holding of stock from which she got enough to keep herself handsomely in spending money. It had seemed a better idea when we were married than giving her a dress allowance. Later she had seemed to lose interest and to take our prosperity for granted.

  I must have dozed off unexpectedly because I woke to hear someone knocking. The light was still on but it was daylight. My watch said twenty to seven and the other bed was still empty.

  I got out quickly, shuffling my feet into slippers and dragging on a dressing-gown. The knocking was from the back door and I went to the landing window which looked out over the back. I don’t know why I should have expected Lynn, if she turned up at that hour, to go round to the back, but one’s waking expectations aren’t always in the right groove. There was an umbrella there and when the window opened the umbrella moved and it was Mrs Lloyd.

  ‘Good morning, Mr Granville. Overslept a little bit?’

  ‘No, surely, you’re early.’

  ‘It’s twenty-five to eight.’

  I looked at my watch and then looked at it again. It had stopped. ‘Wait a minute, I’ll let you in.’

  I went down into the silent hall and was about to slop through into the kitchen when I saw the post had come. There were a couple of bills and a letter. The letter was from Lynn.

  Chapter Two

  I RIPPED open the envelope and stared at what she had written.

  My dear Mike,

  I expect I should put this on my dressing-table or on the

  mantelpiece downstairs, but somehow I shy away from the

  hackneyed move even when I am doing the hackneyed thing.

  I realise that by posting this in the box at the corner instead

  of leaving it I may give you a slightly disturbed night – that’s